Wednesday, 13 February 2013

Learn Amazing Couture Embellishment Techniques on Feb 16th with TSTG!




Image courtesy of Poszata Ltd, Hungary.


Learn how to make Richelieu lace tomorrow with Paris couture embroiderer, Eline Le Callennec and the Slow Textiles Group! This workshop is available both online and in the London studio.





Just two places left! Book your place here.


 White on white. Traditional French Richelieu lace in white linen. 
Image courtesy of Passion de Blanc, France.










Tuesday, 29 January 2013

SURFACE Show at Chelsea FutureSpace





Rose, silk, detail, Emma Neuberg, 2012.



We're delighted to announce that silk triptychs created by TSTG founder, Emma Neuberg, whilst Artist in Residence (AA2A) at Chelsea College of Art & Design, London, are selected for an exciting new exhibition exploring surface, texture, semiotics and meaning taking place February 13th to April 14th 2013 at Chelsea FutureSpace

The show represents an introduction to the study of surface as texture and skin to interpret and express the liminal space between internal and external worlds.  Other artists in the show include Sanghyun Kim and Kangwook Lee





Awake, Sanghyun Kim, 2012.







Kangwook Lee, 2012.














Saturday, 26 January 2013

Pua Kumba Weaving in Marik Empang!





                                                                                                            Photo: Neuberg

TSTG members recently enjoyed an evening with Nancy Ngali from Malaysian Borneo, wearing her own pua kumba woven jacket and beaded marik empang at the fantastic current exhibition called 
Endangered Textiles taking place at the Brunei Gallery in London.


                                                                                                                                                                                             Photo: Neuberg

Here's the process of the warp preparation - hundreds of white silk threads being tied with lengths of plastic rather like tie-dye - in order to prepare the weave to make a jacket or skirt.



                                                                                                                                                 Photo: Neuberg

After all those white threads are dip-dyed in indigo they are set up on a back-strap loom ready for weaving. 
The whole process takes between 3 to 5 months!

For more information on the process, there's a great introductory article in the wonderful Hand Eye magazine.



Wednesday, 2 January 2013

What do Pattern, Textiles and Fashion have in Common in 2013?





Quentin Jones for Kenzo Pre-Fall 2012


You may have noticed that TSTG embrace animation and film narratives for textiles!

This is because textiles manifest time and story-telling in their very DNA.  Even digital code is textiles inasmuchas each pixel echoes the needlepoint stitch or punchcard hole in order to make the image whole.

Last year we showcased amazing textile animator Tania Grace Knuckey's witty, subtle and evocative textile animations at the Slow Studio Cinema. "I have to put timelines into textiles to bring them alive," she says.

Have a look through Quentin Jones amazing sequences and visit the Slow Studio on April 20th to see more of this inspirational genre!




Quentin Jones for Victoria Beckham 2012



Quentin Jones for Nowness 2012



Quentin Jones for Penhaligon 2012



Quentin Jones for Holly Fulton 2012






Monday, 31 December 2012

Happy New Geometrics Year!


Jonathan Saunders Animated, Emma Neuberg, 2012

Thank you for sharing a wonderful year and we look forward to more inspirational, ground-breaking and fun events in 2013!




Friday, 14 December 2012

Onesies in a Rush?



A soldier walks through the sewing room at Tazreen Fashions, Savar, Bangladesh, on November 25th 2012.  
Over 100 people die.



"On the way to the staircase that leads to the cutting floor I notice hundreds of boxes marked for Carrefour, a huge European multiple that after Walmart is the world's second largest retailer, with an extraordinary 12,500 stores across the world.  The boxes are stacked up along the side of the assembly floor, masking the fire regulations and the yellow signs pointing to the exits.  But then, given that the staircases are almost completely blocked by more boxes, presumably waiting to be picked up to start their long journey to the stores, the exits might not be all that much use.

"'These boxes,' I say pointing out the bleeding obvious, 'they're blocking the stairs. The fire escape! The fire risk!'  My voice is becoming increasingly shrill.. The factory manager is unmoved by my persistent heckling, and continues to clatter down the staircase.  



A woman looks for family members after a textile factory fire in Karachi, Pakistan, 
on September 12th 2012. Over 300 die. 



"We end up for tea and biscuits in the factory manager's office, where again we are told we can ask about anything we like - cue more arm-waving. And so I bang on about the boxes and the fire escape again.

"'Big order,' he says.  'Huge order!'  Yes, I say, but the 500,000-piece order for men's, women's and children's jeans is currently blocking the fire escapes.  'This is not,' he admits, 'a perfect factory.  This is a B-rated factory.'  Who has rated it 'B', I ask.  'It is rated B,' he says and we continue in this vein for thirty minutes.  'The 'B' rating, I'm finally led to believe, is a Bangladesh trade standard, meaning that the factory is not perfect.  Then suddenly the manager turns, his tone becoming increasingly impassioned and accusatory.  'How can I get a good factory when you [in the West] pay so little?'"



 A textiles worker returns to the sewing room at Tazreen Fashions, Bangladesh.  Further information and details here.




If there's one book you read over the holiday, read Lucy Siegle's prophetic To Die For: Is Fashion Wearing Out the World?

Brains will rewire.



Identifying textile workers in Karachi, Pakistan, 
on September 12th 2012. Over 300 die. 





Overcrowded sewing rooms, Tazreen Fashions, Savar, Bangladesh.



Full details of the Savar night shift tragedy here.
.



Relatives prepare to bury loved ones from the Tazreen Fashions Factory tragedy on November 27th 2012.  Further information on the fashion labels found in the embers here. 



There is now a UK-based Fashion Mob that you can join here to raise your concerns with the effects of very fast fashion demands, collectively and strategically.





Tuesday, 11 December 2012

Some Old Fabrics in this Season of New New New!




Linen and wool tapestry, detail, third to fourth century AD, Egypt.



Linen and wool tapestry, detail, fourth to fifth century AD, Egypt.





Linen and wool tapestry, detail, fifth to sixth century AD, Egypt.






Lunar Deity, wool embroidery on linen, detail, third to fourth century AD, Egypt.



For more information on these extrordinarily modern-looking Egyptian wool and linen weaves and embroideries go here. 




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